Trippin through Kazakhstan

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FullSizeRender 8 copy Do you know anything about Kazakhstan other than the movie Borat, which was actually filmed in Romania? On the July 19th show, three fellow travelers who recently visited the small city of Aktobe spoke about their shared adventure

The guests, author/educator, Jessica Topacia Long, and local Santa Cruzian Eva Miljkovic-Ammann joined host, Nada Miljkovic to discussed the differences, the similarities, the food, the customs, to name a few, of the 9th largest country in the world. Both guests are currently expats living in Slavic countries; Jessica in Moscow, Russia, and Eva in Belgrade, Serbia.FullSizeRender 11

To hear our interview in its entirety, press on the play button below.

What is Lost When a Species Goes Extinct?

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Within the question, “what is lost when a species goes extinct?”, is embedded another question, “how do we talk about it?” To investigate these questions and more, Irena Polic, Managing Director of the Institute for Humanities Research, brought Claudio Campagna, Adjunct Professor in Ecology and Evolutionary Biology, and Daniel Guevara, Chair and Associate Professor, Philosophy Department, all at UCSC, onto KZSC‘S Artists on Art Radio Program, April 4, 2017.

We began the discussion about the new research group, The Language of Conservation, and their inaugural event, What is Lost When A Species Goes Extinct? A Colloquium on the Unspeakable Value of Life, that happened, April 14, in Humanities 1. It was a conversation between a philosopher and three scientists about the impact of language—how particular words and concepts impact the public’s thinking about topics such as “sustainability,” “conservation,” and “extinction.”

Here’s an excerpt of our interview with Claudio Campagna talking about his journey as an animal behaviorist to researching the philosophy of the environmental movement and starting the new IHR research group with Daniel Guevara on language and conservation.

To hear our interview in its entirety, click on the play button below:

Alex Perez reads his poem Pablo Pueblo

Gerd Stern

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Gerd Stern is an Artist, original BEAT poet, a long-time friend of Allen Ginsberg and many others, one of the founders of KPFA,  Digital Media Artist Innovator, Co-founder of USCO and creator of Electronic Innovation of Immersive Multimedia Events…the list goes on and on.a_003

Gerd read his poems and spoke at the Blitzer Gallery, on Thursday, March 23rd. The Blitzer Gallery was showing some of his work from his time with USCO.

You can also see his work with USCO is at the BAMPFA exhibition, “Hippie Modernism: The Struggle for Utopia, showing through February 8–May 21, 2017.

The US Company is a media art collective that continues today and had its heyday in the 1960s and 1970s. It was co-founded by Gerd and Michael Callahan. Gerd also founded Intermedia Systems Corporation which produced multimedia art internationally using stroboscopes, projectors, and audiotapes in their performances. The USCo and Gerd were greatly influenced by media theorist Marshall McLuhan.  

To hear our interview, please click on the play button below.

Ryan Page

17349580_10155104079201665_1092508686179610993_oEver wonder what is music? That was one of the topics composer and performer, Ryan Page and Nada Miljkovic spoke about when he came onto the KZSC radio show, Artists on Art.  To inform the answer to this question, we played music by John Cage and Pauline Oliveras as well as Ctrl-Z and discussed their similarities and differences.

Ryan Page is a composer, performer, and tinkerer who focuses on human interaction with technology.  In 2015 he founded the live electronic music group Ctrl-Z with Daniel Steffey and Nicholas Wang. Ctrl-Z performs and commissions new electronic works, along with classic works of 20th-Century experimental music. Last year, he started a record label, Cutty Strange Records and is currently working towards his Ph.D. in Film and Digital Media at UCSC.

We discussed Ctrl-Z’s collaboration with Listening to Ladies and their call for composers of any age or nationality who identify as women, nonbinary, or gender fluid are invited to submit scores for live performative electronics for a series of concerts to take place in California and New York in the Fall of 2017 (venues/dates to-be-determined). The program will showcase hugely important yet often overlooked contributions to the history of electronic music by women alongside new pieces written by non-cis-male composers working on the cutting edge of experimental electronic and electroacoustic music. The resulting program will be recorded and released by Ctrl-Z in late 2017/early 2018. Applications are due June 1st, 2017.

To hear our interview, please click on the play button below.

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